Can Vinyl Records Lps For Sale

Check out these new and used Can vinyl records LPs for sale. We recommend starting your Can vinyl collection with the essential albums Tago Mago, Ege Bamyasi and Future Days. Our inventory is always changing, so check back often, or browse our list of vinyl records for sale from rock musicians.

Can Vinyl Record Lps For Sale

Can: Sonic Alchemists of Krautrock

The Birth of Can

Formation and Early Years (1968-1969)

Can, formed in 1968 in Cologne, Germany, emerged as a pioneering force in the genre of krautrock. The band’s original lineup included Irmin Schmidt, Holger Czukay, Jaki Liebezeit, Michael Karoli, and vocalist Malcolm Mooney. Can’s sonic alchemy was born out of a desire to break free from conventional musical structures and embrace experimentation.

“Monster Movie” (1969)

Debut Explorations

“Monster Movie,” released in 1969, marked Can’s debut and signaled their intent to push the boundaries of rock music. The album featured the hypnotic drumming of Jaki Liebezeit, the avant-garde bass of Holger Czukay, and the innovative keyboard work of Irmin Schmidt. The opening track, “Father Cannot Yell,” set the tone for Can’s sonic journey with its repetitive yet entrancing patterns.

“Yoo Doo Right” and Sonic Odyssey

The epic “Yoo Doo Right” showcased Can’s penchant for extended sonic odysseys. Clocking in at over 20 minutes, the track meandered through psychedelic landscapes, jazz-inflected improvisations, and experimental soundscapes, laying the foundation for Can’s future explorations.

“Soundtracks” (1970)

Filmic Influences

“Soundtracks,” released in 1970, was initially intended as a collection of tracks for various films. The album reflected Can’s collaboration with filmmaker Hanns-Martin Schleyer and further solidified their reputation as sonic innovators. Tracks like “Mother Sky” showcased the band’s ability to create expansive sonic landscapes.

“She Brings the Rain” and Ethereal Melodies

“She Brings the Rain,” featuring the ethereal vocals of Malcolm Mooney, demonstrated Can’s proficiency in crafting atmospheric and otherworldly melodies. The song’s dreamlike quality hinted at the band’s evolving approach to composition.

Transition and Vocal Changes

“Tago Mago” (1971)

“Tago Mago,” released in 1971, marked a transition for Can with the departure of Malcolm Mooney and the arrival of Damo Suzuki as the new vocalist. The album showcased a more collaborative and improvisational approach, with lengthy tracks that allowed each member to contribute to the sonic tapestry.

“Paperhouse” and Ethereal Journeys

The opening track, “Paperhouse,” set the stage for the album’s ethereal journeys. Damo Suzuki’s vocalizations blended seamlessly with the band’s instrumental prowess, creating a sense of communal exploration. “Tago Mago” remains a landmark in the history of krautrock, capturing Can’s experimental spirit and boundary-pushing sonic landscapes.

“Ege Bamyasi” (1972)

Groovy Rhythms

“Ege Bamyasi,” released in 1972, showcased Can’s ability to infuse groovy rhythms into their avant-garde sound. The album featured the iconic “Vitamin C,” a track known for its infectious beat and Holger Czukay’s distinctive bassline. The song became a cult favorite and reflected Can’s growing influence beyond the experimental music scene.

“Spoon” and Sonic Playfulness

“Spoon,” another standout track, demonstrated Can’s sonic playfulness. Irmin Schmidt’s swirling keyboards, Jaki Liebezeit’s intricate drum patterns, and Damo Suzuki’s idiosyncratic vocals blended into a kaleidoscopic sonic landscape. “Ege Bamyasi” showcased Can’s ability to embrace accessibility without compromising their avant-garde roots.

Experimental Zenith

“Future Days” (1973)

“Future Days,” released in 1973, marked the zenith of Can’s experimental prowess. The album featured only four tracks, allowing the band to explore extended improvisations and atmospheric soundscapes. Damo Suzuki’s vocals became more integrated into the band’s sonic fabric, contributing to the overall dreamlike quality of the album.

“Bel Air” and Ambient Tranquility

“Bel Air,” a track from the album, exemplified Can’s move towards ambient tranquility. The song unfolded gradually, with Liebezeit’s steady drumming providing a foundation for the ethereal interplay between keyboards and vocals. “Future Days” showcased Can’s ability to create a meditative and immersive sonic experience.

Later Albums and Legacy

“Soon Over Babaluma” (1974)

“Soon Over Babaluma,” released in 1974, saw Can experimenting with shorter and more structured compositions. The departure of Damo Suzuki led to an instrumental focus, with tracks like “Dizzy Dizzy” showcasing the band’s ability to create dynamic and rhythmic soundscapes.

“Landed” (1975) and “Flow Motion” (1976)

“Landed” (1975) and “Flow Motion” (1976) marked a shift towards a more accessible and funk-influenced sound. The albums featured the addition of guitarist Rebop Kwaku Baah, bringing a new dynamic to Can’s sonic palette. Tracks like “I Want More” and “Moonshake” demonstrated Can’s ability to embrace danceable rhythms while maintaining their avant-garde sensibilities.

Legacy and Influence

Sonic Pioneers

Can’s legacy as sonic pioneers transcends the boundaries of krautrock. Their influence can be heard in a diverse array of genres, from post-punk and ambient to electronic and experimental music. The band’s willingness to challenge conventions and explore new sonic territories paved the way for future generations of musicians.

Innovative Collaborations

Can’s collaborative approach to music, where each member played a crucial role in the sonic landscape, became a blueprint for bands seeking to break free from traditional hierarchies. The band’s emphasis on improvisation and experimentation left an indelible mark on the ethos of avant-garde and experimental music.

Sampling Culture

Can’s music has become a treasure trove for sampling in hip-hop by rappers including Dr. Dre and Kanye West. Their rhythmic complexity, atmospheric textures, and unconventional song structures have been sampled by artists seeking to inject Can’s experimental spirit into their own creations.

Enduring Reverberations

Timeless Soundscapes

Can’s timeless soundscapes continue to captivate listeners, offering a sonic journey that transcends temporal boundaries. The band’s discography remains a testament to their commitment to sonic exploration and their ability to create music that defies easy categorization.

Sonic Alchemy Lives On

Can’s sonic alchemy lives on in the hearts of fans and in the sonic experiments of contemporary artists who draw inspiration from the band’s fearless exploration. The band’s catalog stands as a sonic testament to the infinite possibilities that arise when musicians push the boundaries of sound and embrace the unknown.

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