Lightnin’ Hopkins Vinyl Records Lps For Sale

Check out these new and used Lightnin’ Hopkins vinyl records LPs for sale. Lightning Hopkins was born in Texas in 1912. He was raised under the influence of the blues. After a stint in prison in the 1930s, he moved to Houston and attempted to break into the music business. This was not successful, and he was back to working as a farm hand in the 1940s. Hopkins try to music again in Houston in the mid-1940s. Lola Ann Cullum of Aladdin Records discovered Hopkins performing on Dowling Street and convinced him to travel to LA and record 12 songs with pianist Wilson Smith. He returned to Houston and started recording for Gold Star Records while continuing to perform constantly. The musicologist Robert McCormick said Lightnin’ Hopkins was “the embodiment of the jazz-and-poetry spirit, representing its ancient form in the single creator whose words and music are one act.” We recommend starting your Lightnin’ Hopkins vinyl collection with the essential Double Blues and Earth Blues. Our inventory is constantly changing, so check back often, or browse our list of vinyl from blues musicians.

Lightnin Hopkins Vinyl Record Last Night Blues

Early Life and Blues Roots (1912-1930s)

Born Sam John Hopkins on March 15, 1912, in Centerville, Texas, Lightnin’ Hopkins would become one of the most influential figures in the blues genre. Growing up in a musical family, he absorbed the sounds of the Texas blues tradition from an early age. His cousin, Texas blues icon Blind Lemon Jefferson, played a crucial role in shaping Lightnin’s musical sensibilities.

In the 1930s, Lightnin’ Hopkins began his journey as a blues musician, drawing inspiration from the rural blues of Texas and the Delta blues. His unique fingerpicking style on the guitar and his raw, emotive vocals set him apart even in the early stages of his career. His itinerant lifestyle and performances in juke joints and on street corners honed his craft and solidified his reputation as a formidable bluesman.

Recording Career Beginnings (1940s-1950s)

The late 1940s marked the beginning of Lightnin’ Hopkins’ recording career. His debut recordings for the Aladdin label in Los Angeles showcased his distinctive approach to the blues. Songs like “Katie Mae Blues” and “Short Haired Woman” revealed the raw intensity of his playing and the honesty in his lyrics.

Returning to Houston, Texas, Lightnin’ continued to record for various labels, including Gold Star and Modern Records. His prolific output during the 1950s, often characterized by his solo performances, captured the essence of Texas country blues. His ability to convey a wide range of emotions—from the somber to the playful—made him a standout figure in the blues landscape.

Electric Blues Evolution (1950s-1960s)

As the blues landscape evolved, Lightnin’ Hopkins adapted by incorporating electric guitar into his sound. This transition marked a significant shift in his style, aligning with the emerging electric blues movement. Tracks like “Mojo Hand” and “Bring Me My Shotgun” exemplified Lightnin’s ability to fuse traditional acoustic blues with the amplified energy of the electric guitar.

His partnership with producer Sam “Lightnin'” Hopkins (no relation) at the Herald and Fire labels led to the release of numerous electric blues recordings. Lightnin’s mastery of the guitar, both acoustic and electric, showcased his versatility as he navigated the changing blues landscape of the 1950s and 1960s.

Houston Blues Scene and Collaboration (1960s-1970s)

Lightnin’ Hopkins played a central role in the vibrant Houston blues scene during the 1960s. His performances at local clubs, often accompanied by bassist Leonard Gaskin and drummer Herb Lovelle, captivated audiences. His influence extended beyond the stage, as he mentored and inspired younger musicians who would go on to become prominent figures in the blues genre.

The 1960s also saw Lightnin’ collaborate with other blues luminaries. His recordings with harmonica player Sonny Terry and guitarist Brownie McGhee, such as “Last Night Blues,” demonstrated his ability to connect with fellow musicians and create memorable blues performances. These collaborations further expanded his reach and showcased his adaptability as a blues artist.

Rediscovery and Folk Blues Revival (1960s-1970s)

During the folk blues revival of the 1960s, Lightnin’ Hopkins found himself embraced by a new generation of blues enthusiasts. Folklorists and musicologists sought out the roots of the blues, and Lightnin’s authenticity and deep connection to the blues tradition made him a revered figure among folk and blues revivalists.

Performing at prestigious folk festivals like Newport and recording for the Folkways label, Lightnin’ gained recognition beyond traditional blues circles. His appearances on television programs like “Bluesville” and collaborations with folk musicians like Pete Seeger underscored his significance in the broader context of American roots music.

Influence on Rock and Blues Rock (1960s-1970s)

As the blues crossed over into the realm of rock and blues rock, Lightnin’ Hopkins’ influence became apparent in the work of emerging rock musicians. Artists like the Rolling Stones and the Grateful Dead were drawn to the authenticity of Lightnin’s blues. His impact on the blues-infused rock genre is particularly evident in the guitar-driven style of bands influenced by the blues.

Lightnin’s storytelling through the blues, marked by his gravelly voice and expressive guitar playing, resonated with rock musicians seeking a connection to the roots of American music. His influence can be heard in the blues-rock movements of the late 1960s and early 1970s, contributing to the foundation of a sound that would shape the future of rock music.

Later Years and Enduring Legacy (1980s-2022)

Lightnin’ Hopkins continued to perform and record into the 1980s, maintaining a busy schedule despite health challenges. His later recordings, such as “The Texas Bluesman,” captured the essence of his enduring talent and the timeless quality of his music.

On January 30, 1982, Lightnin’ Hopkins passed away, leaving behind a legacy that transcends generations. His influence extends beyond the blues into various genres, and his impact on the evolution of American music is immeasurable. Lightnin’s storytelling, guitar mastery, and raw emotion continue to inspire blues enthusiasts, musicians, and fans worldwide.

As the years have passed, Lightnin’ Hopkins’ legacy has only grown. His recordings remain essential listening for those exploring the roots of the blues, and his impact on subsequent generations of musicians is evident in the countless artists who cite him as a profound influence. Lightnin’ Hopkins, the Texas bluesman with an unmistakable sound, stands as a cornerstone of American music, forever etched into the fabric of the blues tradition he helped shape and define.

LIGHTNIN HOPKINS-SMOKES LIKE LIGHTNIN-BLUESVILLE BV 1070 (1963) MONO, RARE BLUES

$75.00  
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LIGHTNIN HOPKINS- LIGHTNIN AND CO. -BLUESVILLE BV 1061 (1963) MONO RARE!!

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LIGHTNIN' HOPKINS~BLUES HOOT~RARE SEALED ORIG DCC STEVE HOFFMAN AUDIOPHILE LP

$41.00  (10 bids)
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LIGHTNING HOPKINS Sings The Blues LP CROWN 5224 rare OG rural mono Lightnin’ 

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LIGHTNIN’ HOPKINS Fast Life Woman LP VERVE V-8453 rare OG black label mono VG+

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LIGHTNIN HOPKINS ~ FIRST MEETIN' ~ 1963 STEREO LP ~ RECORD VG+ COVER VG+

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LIGHTNIN HOPKINS -COUNTRY BLUES -TRADITION TLP 1035 (1959) MONO STILL SEALED!

$75.00  
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Rare Promo Lightnin Hopkins Prestige Moodsville MONO No DG NM Blues In A Bottle

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LIGHTNIN HOPKINS - ORIGINAL FOLK BLUES - KENT KLP 5023 (1960'S) MONO RARE BLUES

$55.00  
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12 CT BLUES LP LOT LIGHTNIN' HOPKINS, MUDDY WATERS, DR ROSS, SLIM HARPO BB KING

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Lightnin' Hopkins - Mojo Hand / Automobile Blues (with Custom Sleeve)

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Lightnin' Hopkins - My Life In The Blues

$45.00  
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Blues-78 RPM-Lightnin Hopkins-Honey Honey Blues/Moonrise Blues-Aladdin 3077-V

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LIGHTNIN' HOPKINS LIGHTNIN' STRIKES OVERSEAS ULS6021V JAPAN VINYL LP

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Lightnin' Hopkins - Live At The Bird Lounge VG+ Vinyl LP Reissue

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